a freelance artist, researcher, collaborator in the fields of performance, contemporary dance and choreography

interested in the biopolitics of embodiment and the dance as a social act and behaviour - following thought on movement as a universal communication tool

as a maker i work with live performance, choreographed video

and live-music, looking for accessible spaces of artistic experience

PAULINA REWUCKA

RESEARCH

because i am interested in the niches, the invisible, hidden in the structures of society, i took the academic path that allows for deeper research. it led me to undertake experimental projects, often described as abstract, although to me these are precisely the crevices that can be visited and thus made visible.

i see movement as part of social choreography, the approach of “minorities who educate the majority” is of great value to me, and it motivated my masters thesis work "practicing ghostly matters”.

ghostly matters

mis(s)presence

WORKS

i participated in many performances and plays as part of my artistic practice, in which i often joined artists that i share values with. by carrying response-ability for the project together, i wish to support their work and get a taste of variety in fascinating approaches from the choreographers I met on my way so far.

blooming world of the chthulucene

mis(s)presence

COLLABORATION

within my freelance experience,

i found it crucial to see different formats of work and acknowledging variety of needs every time. i wish to get a glimpse of my work entering different ideas, starting from collective, through production and coordination to dramaturgy assistance.

each project carries its specifics of present time, circumstances, and structure, therefore i wish to share a few important collaborations in order to be transparent about widely-understood artistic work.

hardening jaws of tenderness

and then there were the sound of birds

FACILITATION

holding space to experiment, to discover, to learn and to be together creatively is one of my core interest at work. a wish to share dances appeared very early in my history, and it is still a strong component of my practice. it's important for me to research and deepen my knowledge about empathy, care and qualities of hosting and teaching through every new-coming encounter.